A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Page 1: Sabian Island – Sailing Page 2: Saint and Greavsie – SAS Assault Course Page 3: SAS Combat Simulator – Scooby and Scrappy Doo Page 4: Scooby Doo – SDAW Page 5: SDI – The Sentinel Page 6: Sepulcri – Shadow Dancer Page 7: Shadow of the Beast – Sharkey's Moll Page 8: Sharpe's Deeds – Shovel Adventure Page 9: Shufflepuck Café – Sim City Page 10: The Simpsons: Bart vs. the Space Mutants – Skateboard Kidz Page 11: Skate Crazy – Sky Hunter Page 12: Skyx – Small Games for Smart Minds Page 13: S*M*A*S*H*E*D – Snowstrike Page 14: Soccer Challenge – Solar Empire Page 15: Solar Warrior – Sorcerers Page 16: Sorcery – Spaced Out Page 17: Space Froggy – Space Pest Control |
Page 18: Space Racer – Spellbound Dizzy Page 19: Spellbreaker – Spitfire 40 Page 20: Spitting Image – Spy vs Spy Page 21: Spy vs Spy: Arctic Antics – Starboy Page 22: Starbyte – Starquake Page 23: Star Raiders II – Star Wars Droids Page 24: Stationfall – Stormbringer Page 25: Stormlord – Street Gang Football Page 26: Street Hawk – Strike Force Harrier Page 27: Striker – Stuntman Seymour Page 28: Sub – Sultan's Maze Page 29: Summer Games – Super Hero Page 30: Superkid – Super Scramble Simulator Page 31: Super Seymour Saves the Planet – SuperTed: The Search for Spot Page 32: Super Tripper – Survivre Page 33: Suspended – Syntax |
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Spellbreaker(Infocom, 1986) The final instalment of Infocom’s Enchanter trilogy sees you as the master of the Circle of Enchanters, but now magic itself is failing, and spells just aren’t working properly any more. The journey involves collecting white cubes that are central to the use of magic, and you’ll soon find that they have some very special properties indeed... The author, Dave Lebling, said that it “was intended to be a nasty, vicious and cruel, hard game and it succeeded in that.” You rely on spells a lot more than the previous two adventures, and many of the puzzles are extremely difficult. Infocom meant this to be their toughest ever adventure, and I can agree with that. However, it’s probably too tough for most people, and I didn’t like it as much as some of their other adventures. |
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You are an archaeologist who is looking for a lost civilisation which lies underneath the Atlantic Ocean. After entering some magic caves in a remote part of Peru, you emerge somewhere else, and your quest begins... This is an adventure which uses icons to select actions, instead of requiring you to enter them. A lot of puzzles rely on you knowing a magic word; you will need to use them either as passwords or when casting spells (and if you want to know one, ask for help at the cottage and the big tree). The graphics are fairly good, but the game relies too much on magic words, and there are very few objects to pick up and make use of. The procedure used for casting spells is also annoying and unnecessarily complicated. |
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Spherical(Rainbow Arts, 1989) Wuron the dwarf magician must guide the Starball – a sphere with magical powers – through the rooms of the castle of the evil dragon Mirgal. In each room, Wuron must construct a path to allow the sphere to reach the block marked ‘IN’, before the sphere starts rolling. Wuron is able to create blocks out of thin air, but watch out for the ghosts and sorcerers who will drain your energy! There are plenty of objects and power-ups to collect, although you’ll have to work out what they all do, and use them wisely! The graphics are breathtaking, although there aren’t many sound effects, but with dozens of levels to play and four opportunities in the game to restart a level, the thinkers among you will love this. |
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Spike in Transylvania(Code Masters, 1991) Spike has been shipwrecked in Transylvania, along with several of his Viking mates, who are now locked up in the dungeons of the King’s castle. Fortunately, Spike hasn’t been captured, but he now has to rescue all of his comrades. This is an arcade adventure in which you must find the right objects to solve puzzles and progress further in the game, as well as dodging the guards, rats and bats who will drain your energy. It’s all rather easy, though, and it shouldn’t take you too long to complete the game. However, I still think the game is a good one while it lasts, despite the monochrome graphics. The music is fairly good as well, and so is the animated sequence when you lose all your lives! |
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Spiky Harold(Firebird, 1986) Winter is closing in, and Harold the hedgehog has to find food for him to last through his hibernation. Starting above the ground, you have to venture underground into a network of tunnels full of other wildlife, and you will lose a life if you touch any of them. Believe it or not, you get twenty lives, but you’re going to need every one of them! Squeezing past many of the monsters requires the utmost precision, and it is very frustrating to lose several lives in this way. I don’t mind the game too much – Harold is really cute – but most people will find it too difficult. |
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GERALD is on Hangworld, and he has to explore all 386 locations and collect more than 200 jewels in his mission. There are all sorts of puzzles to solve – you’ll need to hunt for the right switches to open doors and cross chasms, for instance – and tricky terrain to negotiate, and you’re battling against the clock, too! What makes this game so truly irresistible is that urge to explore a little more of Hangworld with each go. It’s one of the all-time classics, and yes, I think it is one of the best games ever to be released for the CPC. |
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Spindrone(Atlantis, 1988) The planet Fungii 7 contains lots of barrels of plutonium, and it’s your job to guard them. However, the green alien Kermatoids are intent on getting their hands on it and have launched an invasion. You must shoot them and prevent them from stealing the barrels – once they’ve got them, it’s too late! If all 27 barrels are stolen, then the game is over. There are three screens, and while you’re guarding one screen, the Kermatoids are taking advantage on the other two, so it’s quite difficult, although you have a radar to show you where the aliens are. Basically, it’s a mediocre space shoot-’em-up which won’t interest you for long, although the graphics are brilliant and the Kermatoids are quite cute!
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There’s a really nice touch at the beginning of Spirits where the credits fade in just like you’re about to start watching a film. There’s some nice music as well. Then the game begins and you notice colour clash and slowdown – never mind. The game at least has a unique concept of splitting the screen in two, which allows you to see the location of the items you need to obtain in this arcade adventure. The graphics are nicely drawn but the gameplay is only accompanied by the slightest of sound effects. There are quite a few arcade adventures on the CPC, to say the least, and this is a solid example. |
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Spitfire(Encore, 1989) Take to the skies in a Spitfire fighter plane and shoot down as many German Me 109 and Ju 88 planes and destroy as many of their bases as you can. A display at the bottom of the screen warns you of incoming enemy planes, and then you can engage in a dogfight with them, manoeuvring your Spitfire and weaving around the screen in order to take it down. Your plane isn’t armed with bombs, so enemy bases and ships need to be destroyed by swooping downwards and firing your guns continuously while trying not to crash. First impressions are good; the graphics are average but your Spitfire is well animated, and the sound of gunfire is fairly realistic. However, there isn’t much variety and there are no real goals to achieve, and it soon becomes repetitive. |
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An early, yet surprisingly accurate, flight simulator on the CPC. In terms of gameplay it treads the fine line between simulation and arcade shoot-’em-up well. Strap into your World War II Spitfire plane, select a pilot and shoot down the enemy fighters. You’ll be asked to take off and land, as well as use your instruments to judge speed and height and a map to find your prey. Having to toggle between the instruments and cockpit view can be tricky at first. There are more ambitious-looking CPC flight simulators but the instruments look particularly nice and the cockpit view is good enough. On the aural front the music tries to invoke the Battle of Britain spirit, while the sound effects are to be expected. Dogfighting is enjoyable and good fun in this but perhaps the game lacks a little depth. |